Submitted by Pachamama
A sign of the nature of these times is the imposition of a new etymology. Whether it is ‘woke-ism’, on the one side, or ‘cancel culture’, on the other, the willful misguidance is no less profound. “Whiteness” is generally defined as being a political construction, a fiction.
In this piece we will attempt to tease out, or even capture, an ‘ahistorical’ moment where a faux progressivism pretends to confront long-held establishment lies, wickedness – across the board.
This convergence of interests should properly be the province of academia and particularly those from the Frankfurt School of critical social theory. Unfortunately though, It has long-failed to help us rethink or reform the social critiques of Marxism, as they had promised, even as Marx gave the ‘soft touch’ to racism and slavery; has not led to the rejection of mainstream political views; its tepid criticisms of capitalism have made it no less vicious; there has been no substantive ‘liberation’ of humanoids anywhere; while domination and exploitation continue at an algorithmic pace.
Some, with rightness, may suggest that woke-ism is deeply culturally bound. Others are reticent to jettison certain unrealities. Others are entrenched in the misbelief, or fear, that there will be some meeting of the minds at a point of moderation. Yet others wrongly look to this divine age of technological innovation to deliver mankind. In reality they intend that establishment systems should only be tinkered with on the margins if at all, but never radically transformed, far less prevent the new formations of the old systems of subjugation now reemerging as more virulent manifestations of technological oppression.
It is however clear that the perceived meanings of woke-ism and ‘Whiteness’ can never comfortably coexisted. For the first is predicated on the existence of what is real, presumably, while the other is entirely based on a deep and wide culture of unreality. An unreality not based within the longer evolution of humanoids.
Those who suggested that the removal of Horatio Nelson from the top of Broad Street was an attempt to ‘cancel’ their ‘culture’ are ideologically well-connected to the Proud Boys and other White supremacist forces in the United States of America, and elsewhere. We include Black lackeys in high places, like ‘a Johnny’ Muh Boy as the quintessentially modern-day house niggers! But still, its mere removal only flirts with the symbolic. The same is true about removals from landscapes elsewhere as well.
And for the lack of historical memory, eminently demonstrated by many on the side of Black Lives Matter, prevents a better understanding of their own arguments. This requires, amongst other things, taking a hard look at the ways in which that movement has been appropriated, internally and externally, by a wide range of interests included the Central Intelligence Agency (CIA) of the United States of America, no less. It’s a ‘crying shame’ that even the marketing and recruitment of CIA agents, as an historically racist organization, have now fully appropriated wokeness.
There was a time when ‘whiteness’ meant something entirely different. It denoted somebody who was spiritual. It had nothing to do with pigmentation or ‘pinkness’. At that time all the ‘white’ people were Black, there was nobody else around.
But etymology is a linguistic bitch. People who argue that others seek to cancel their culture are ignorantly doubling-down on all the crimes committed in the name of the political construction which is Whiteness as if seeking to eternally be in a march to war against 90% of Earth’s peoples.
When those who represent ‘Whiteness’ talk about the cancellation of culture, or the irrational moderation of just demands, a level of credibility should be brought to the table based on the real and continuing cancelling which White people and their agents have committed for millennia. In the absence of such an accounting there can be no legitimate claims to a genocidal culture still being constructed and maintained on the bones of others.