Grand Kadooment
The full force of the energy of the Season is unleashed at Grand Kadooment – the culmination to the Festival. The day is an extended period of gay abandon for costumed revellers that sees from the National Stadium to Spring Garden Highway awash with the colours of Crop Over. The colours represent the creative efforts of our masquerade designers and the band leaders in their various artistic thematic interpretations. The costumed bands are judged in a number of categories and impressive prizes are awarded.
Source: NCF
Source: Nation
Crop Over 2007 is being branded by most people we have met as one of the worse witnessed in recent years. Although the festival avoided much of the controversy which has enveloped in prior years, the tragedy of the Horse Hill accident which resulted in six dead, the questioning of the judges at both Pic and Tune of the Crop competitions, and the final straw where escalating violence ruined the revelry on the road for many of the costume bands made it not a good year to use the parlance associated with wine drinking.
Some might say that the violence which affected some bands, Radikal and Campus Boyz and others reflect the social turbulence of the prevailing times. It stands to reason that this being the case, the promoters of the festival must implement the necessary safe guards to minimize the possibility of the violence to avoid what occurred on the Black Rock road. The unprecedented violence which occurred during Grand Kadooment 2007 prompted a press conference by the Barbados Association of Masqueraders; they have threatened retaliatory action if the issue of security is not addressed for Crop Over 2008.
BU in previous articles have lamented the lack of vision and good management which appear to be absent from Crop Over planning in general. We think we could stretch our opinion to say that strategic planning in the portfolio of culture planning is sorely missing. We are very concerned at the ease which the National Cultural Foundation (NCF) has focused on party and money making activities. We believe it has something to do with the pressure Estwick’s boss has directed at the NCF to produce with an unrealistic budget. Unfortunately the leadership at the NCF seem to lack the backbone to represent their interest forcefully to the Prime Minister, who is the Minister of Culture. The departure from building a festival driven by cultural factors has disappeared with the arrival of Ian Estwick. Elombe Mottley has left a void in leadership at the NCF which has not been filled by Dr. Leacock, Waldron or Estwick. Maybe we can make the eccentric Boo Rudder the exception.
If the stakeholders (civil society) in the festival do not stand-up and demand that agreed standards are to be enforced, then Crop Over as a festival will become marred by another tragedy; this time man made.
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