Submitted by Observing

2024 represented 50 years of Crop Over. In some circles it was heralded as a tremendous milestone to be proud of and celebrate. For “us” Crop Over babies we were definitely looking forward to a rocking good time.
What has happened since then leaves much to be desired. This thread isn’t aimed at blaming any one or criticizing randomly, but, having been to every crop over event at one point or the other over the years, it is clear to me that the planning, organization, logisitics, production and “exciting feel” of this year’s season left a lot to be desired (with Pandemonium being the notable exception and a great show).
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Now, I may be wrong and it may be just be me. But conversations with vendors, shop owners and tourists reveal a lackluster festival at best. Some commentators said the same in the daily newspapers recently. Take Bridgetown Market for instance. What was a standard huge family event was an absolute graveyard compared to past years. Then the Pic O De Crop Finals. Yes we will have hiccups but this one had a moboton. Hopefully the rumour about the President’s placement is false. Foreday Morning is slowly meeting its demise at the hands of the private jumps. We still have some time to see how Soca 5.0 and the final Jump goes tomorrow (this was written Sunday evening)
Private promoters (all 100+ of them) must be commended for staging some good events with a few “misses.” But, everyone will not have $150-$300 to fork out 3 – 4 times for the season. As for the Kadooment costumes, they are clearly priced for a market that is well beyond the average pocket. As David mentioned in a thread sometime back, this is we culture, revelry can’t done.
Questions that we can ask now or after the dust has settled.
- Was our 50 years of Crop Over a hit or a miss?
- Do we really about national culture outside of fete after fete after fete after fete?
- Should Crop Over just be left to the private promoters?
- Did we put all our “eggs” in the T20 World Cup basket with nothing left for the season?
- Are there challenges in “culture management” generally that we should be aware of?
Whatever it is, for me personally, something was “off” this year. And for a festival that is now a half century old, that should give someone somewhere pause for thought. If they care.







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