
There can be much to be derived out of the sober utterances that are spilled by a man not seemingly daunted by drowsiness or other lethargic effects of prolonged sleep. This article takes as its starting point the simplicity of the game – snakes and ladders – an Indian inspired, all-time favourite of many pre-adolescent children. The minimalism of snakes and ladders stems from its lack of any meaningful skill component in the execution of the game or in the attainment of the victor’s crown.
Notwithstanding, snakes and ladders was conceptualised with a deeper, moral, and sensitising agenda. Inherently, the choices of good and bad are included to signify the dialectical transformations emerging out of the contexts of values versus vices. There is the dynamism that links with performances to produce upward mobility in contrast to downward or backward falling. The aggregate difficulties (i.e. snakes) to be encountered are significantly more than the available opportunities (i.e. ladders) for climbing. It is by a mixture of self-determination and fortune in relation to similar circumstances facing at least one other participant/competitor that the outcome is manifested but never assured.






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