Crop Over didn’t accidentally morph into being tourism and fete centric. When Jillian Maryshow collaborated with the Barbados Tourism Authority in 1976, it was never meant to be just about heritage; it was designed as a tourist attraction, a spectacle to fill hotels and sell Barbados to the world. From the start, culture was secondary to profit. There is the saying, if you start wrong, you will end wrong.
Fast forward nearly fifty years, and Crop Over dominates our summer time, generates millions in economic value, and draws international attention. However, the blogmaster like many believe it should do more than entertain, it is a priceless opportunity to define and present who we are as Bajans. Crop Over has the influence to shape and affirm who we are as Bajans. A people who do not protect and nurture their identity are doomed to lose it. It seems an appropriate time to constructively evaluate the current state of crop over with all the talk swirling about Carifesta.
So what is Bajan identity? It is reported to be about resilience, creativity, and pride shaped by our history. It is the voice of calypsonians who turn satire into social commentary – Burn Mr. Harding, Sugar made us free. It is Tuk bands and the Landship, reminding us of our African heritage, the tortutois road travelled. It is community, storytelling, and the courage of ancestors who built culture from the ruins of slavery and colonialism. Crop Over should showcase that identity, instead it has become another Caribbean carnival or should we say Big fete..

Cookie-cutter fetes peddled by profit seeking private promoters have been prioritised. The government talks a good talk about preserving culture and expanding participation, yet budgets prioritise the commercial above going all in on promoting authentic Bajan expression. If we are seeking to hold players accountable Prime Minister Mottley’s name cannot go unmentioned. Munro-Knight sits in the Prime Minister’s Officer and we should not forget Mottley is a former Minister of Culture. It is interesting to note Mottley was a former minister of education and a former Attorney General to name two more. There is no escaping the conclusion that Mottley has significantly contributed to the challenges we are facing in all spheres of our society. Yet she walks like a colossus among us. Go figure.
Is it too late for Crop Over to rediscover its soul? Crop Over may still be able to reclaim a role as the heartbeat of our culture. When it first started there was social commentary, street fairs; Calvacades and many culture-centric activities, authentic performances that reflected who we were. Crop Over planners must revert to seeing Crop Over as a cultural anchor. Prime Minister Mia Mottley, NCF, Minister Munro-Knight, CEO Carolann Roberts, ‘promoters’, and cultural leaders must decide: if to let heritage remain sidelined while profit dictates the agenda, or make Crop Over the festival that defines and ring fences the Bajan identity.
Crop Over must be the outlet for unbriddled Bajan expression. It is not optional. It is survival.
If the festival cannot teach us, remind us, and celebrate who we truly are, what will remain for the next generation?
A visual of feathers, ‘wutless music’, money money money, a diluted story and an empty?
What are we doing?
Are we there yet?






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